WEEK: 3
Active: September 20th - September 27th
Work Due: September 27th @ 11:59 PM

Sonic Art & Technology


Sound as a medium in art was revolutionary, whether visual artists were escaping the limits of their craft or musicians were pushing beyond traditional music boundaries.

Tech = The Game Changer

The microphone, arguably the most important tech for sound art, completely transformed how we engage with sound. It lets us capture, amplify, and even dislocate sound from time and space. This tech paved the way for a new relationship with sound, reshaping the entire sonic landscape.

Five Tech Pillars of Sound Art:

  1. Capture — Microphones
    Microphones turn real-world sound waves into electrical signals. Suddenly, we could broadcast quiet whispers across radio waves or capture intricate sounds—from delicate bird calls to massive symphonies. The microphone gave artists precise control over each sound, making the listener feel like they’re right in the middle of the music.

  2. Creation — Electronic Instruments & Synthesis
    Electric guitars, Theremins, synths—these tools unleashed a wave of new sounds. With analog or digital synths like Moogs or SuperCollider, artists could create soundscapes that once only existed in their imagination, mirroring the evolving sounds of the modern world.

  3. Storage/Transmission — Radio, Tape & Digital Audio
    Before tech, sound was fleeting. But recording on tape, wax cylinders, and later digital formats, allowed sound to be stored and played back whenever we wanted. You could send a message across cities via radio or capture the essence of a moment for future listeners—forever changing the way we thought about sound.

  4. Manipulation — Signal Processing
    Tape tech allowed artists to splice, reverse, and change playback speeds. Soon, we had ways to mix sounds, tweak frequencies, add reverb, and mold audio like clay—allowing sound to be sculpted after capture.

  5. Reproduction — Speakers & Amplification
    The speaker, a microphone’s counterpart, converts electrical signals back into sound waves. This allowed dislocated sounds to reach listeners anywhere—whether through radio or recorded media.